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Claudio Arrau - 2 Legendary Concerts

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last updated: Apr 27, 2010
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Claudio Arrau - 2 Legendary Concerts
CD 1
01 Track 01.m4a41.32 Mb
02 Track 02.m4a17.04 Mb
03 Track 03.m4a23.05 Mb
04 Track 04.m4a11.86 Mb
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CD 2
01 Track 01.m4a27.18 Mb
02 Track 02.m4a39.44 Mb
03 Track 03.m4a11.21 Mb
04 Track 04.m4a14.26 Mb
05 Track 05.m4a45.34 Mb
06 Track 06.m4a27.33 Mb
07 Track 07.m4a36.35 Mb
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Description

Music : Classical : Lossless




Claudio Arrau – Piano Recital



CD 1 (Recorded live 1963)


Ludwig van Beethoven (1770-1827)

1. Rondo in G major, Op. 51, No. 2

2-5. Piano sonata No. 28 in A major, Op. 101 1817



Johannes Brahms (1833-97)

6-32. Variations & Fugue on a Theme by Handel, Op. 24.





CD 2 (Recorded live 1973)


Ludwig van Beethoven (1770-1827)

1-4. Piano sonata No. 7 in D major, Op. 10, No. 3 1798

5-7. Piano sonata No. 23 in F minor, Op. 57 Appassionata.




These 1963 and 1973 broadcast recordings from the Schwetzingen Festival, Claudio Arrau sounds anything but studio-bound as he throws caution to the wind and plays like a titan. What tonal magic and soulful drama he evokes in the G major Rondo's gorgeously effected transitions and long trills! Op. 101's first and third movements take on broader, freer dimensions than in Arrau's three commercial versions, while by contrast the Scherzo's obsessive march rhythms vehemently press forward, yet without losing clarity. Similarly, he subjects the Brahms Handel Variations to more epic dimensions and dramatic extremes than the norm, as the theme statement alone bears out.

The variations proper abound with revelations. For example, listen to how the lavish pedaling in Nos. 1 and 2 does not preclude ripe polyphonic interaction, and notice the intensity of No. 3's off-beat accents, No. 4's incomparably fluid octaves, the exciting acceleration from No. 7 into No. 8, or the final three variations' whirling, organ-like build up.

Beethoven's Op. 10 No. 3 and Appassionata were long-time Arrau concert staples, especially in his later years. In the main, these 1973 interpretations benefit from more animated, flexible phrasing and dynamism in comparison to the pianist's analog and digital Philips studio counterparts. Powerful stuff!





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